Observations and Reflections
Lydia Tar is a narcissist. This is evident right from the first scene of the film – where Tar discusses her views of music and herself with a journalist. She is a terrible person, but still a complex one. This is where the greatness of Tar lies.
Read more
The words that first come to mind when thinking about Park Chan-Wook’s 2016 erotic-thriller, The Handmaiden, are sumptuously delectable. Hidden among the layers of beautifully meticulous costuming matched by equally detailed set design, is a sharply-crafted tale of finding freedom and love in an oppressive and patriarchal environment.
Read more
The Triangle of Sadness’s opening credits show male models wearing speedos covered in the star-spangled banner as they get doused in paint in a way that is reminiscent of Jackson Pollock’s art. For a while after the credits ended and the movie trudged along, I wondered what it meant. Was it a metaphor for something I missed? No. It’s Ruben Östlund’s way of introducing you to a film that is entirely void of nuance, elevating satire on class and power structures to a whole new level of ridiculousness. There is no metaphor; this is all rich people nonsense.
Read more
The average age of India’s giant population is very young, just 28. And many of these youngsters have two groups they grow up idolising – Bollywood and cricket. Akshit Rana, who always dreamed of becoming a cricketer, is one of these men.
Read more
This article comprises my views on the video titled “Opulence” by Contrapoints. These are my reflections on the ideas put forward by her, and an attempt to provide an Indian context for the same.
Read more
MSCHF’s cartoonish red boots are everywhere. You might think this a trend coming after Loewe’s Minnie Mouse boots and JW Anderson’s frog slides, but these boots are also indicative of a larger trend in the world of fashion.
Read more
In a sea of jingoism, Pathan is a breath of fresh air. Yes, it is pumped full of testosterone and has that tired Indo-Pakistan conflict at heart, but thankfully the film doesn’t vilify an entire nation or religion. Thank god for small mercies.
Read more